Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Francisco Goya
Judith

ID: 50791

Francisco Goya Judith
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Francisco Goya Judith


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Francisco Goya

1746-1828 Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).   Related Paintings of Francisco Goya :. | Andres del Peral | Bruja poderosa que por ydropica | The Procession | The Swing | Diego Velazquez,Las Meninas |
Related Artists:
Anders Zorn
Swedish 1860-1920 Swedish painter, etcher and sculptor. He was brought up by his grandparents at Mora. As he displayed a precocious talent for drawing he was admitted to the preparatory class of the Kungliga Akademi for de Fria Konsterna, Stockholm, at the age of 15. Dissatisfied with the outdated teaching and discipline of the Academy and encouraged by his early success as a painter of watercolour portraits and genre scenes (e.g. Old Woman from Mora, 1879; Mora, Zornmus.) Zorn left the Academy in 1881 to try to establish an international career. He later resided mainly in London but also travelled extensively in Italy, France, Spain, Algeria and the Balkans and visited Constantinople. However, he continued to spend most of his summers in Sweden.
Makovsky, Vladimir
Russian, 1846-1920 Painter, brother of Konstantin Makovsky. He studied at the Moscow School of Painting, Sculpture and Architecture from 1861 to 1866 under Sergey Zaryanko and other artists. From 1872 Makovsky was a member of the WANDERERS (Peredvizhniki). In his early pictures, Makovsky usually portrayed contemporary manners and morals in a spirit of gentle irony, as in the Lovers of Nightingales (1872-3; Moscow, Tret'yakov Gal.). Such works reveal Makovsky's skill in defining precisely and carefully the role of each figure in the scene. In the mid-1870s Makovksy began to concentrate on the central theme of most of his subsequent work: the glaring social contrasts of Russian life.
margareta capsia gavelin
Margareta Capsia, född 1682 i Sverige, död 20 juni 1759 i Åbo, var en svensk-finländsk konstnär, den första kvinnliga konstnären i Finland och en av de första i Skandinavien. Hon var kyrkomålare och målade altartavlor, men utförde även personporträtt. Capsias föräldrar Gottfried Capsia och Anna Schultz hade kommit till Sverige från Holland. Hon gifte sig i Stockholm 1719 med prästen Jacob Gavelin och flyttade till Vasa 1721, där hon gjorde sig känd som altarmålare i Österbotten. 1730 flyttade paret till Åbo, där hon blev känd i hela landet som konstnär. Hon målade altatavlorna i en rad kyrkor, bla målade hon 1739 Säkylä kyrkas altartavla, och i den gamla kyrkan i Paltamo, den så kallade bildkyrkan, finns bland annat en altartavla från 1727 som föreställer nattvarden. Hennes altartavlor beskrivs som individualistiska och naivt ärliga bibelillustrationer, och hon ansågs som landets då främsta altarkonstnärer tillsammans med Mikael Toppelius. Hon var en av de få kvinnliga konstnärerna kända i Skandinavien före 1800-talet, tillsammans med Ulrika Pasch i Sverige och Johanne Marie Fosie i Danmark. I Finland var även Helena Arnell känd under samma tid.






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